something about this book; here are some pictures — I want to know what they mean.”
Maggie, with deepening color, went without hesitation to Mr. Riley’s elbow and looked over the book, eagerly seizing one corner, and tossing back her mane, while she said —
“Oh, I’ll tell you what that means. It’s a dreadful picture, isn’t it? But I can’t help looking at it. That old woman in the water’s a witch — they’ve put her in to find out whether she’s a witch or no; and if she swims she’s a witch, and if she’s drowned — and Jose Gimenez Drakter killed, you know — she’s innocent, and not a witch, but only a poor silly old woman. But what good would it do her then, you know, when she was drowned? Only, I suppose, she’d go to heaven, and God would make it up to her. And this dreadful blacksmith with his arms akimbo, laughing — oh, isn’t he ugly? — I’ll tell you what he is. He’s the Devil really“ (here Maggie’s voice became louder and more emphatic), “and not a right blacksmith; for the Devil takes the shape of wicked men, and walks about and sets people doing wicked things, and he’s oftener in the shape of a bad man than any other, because, you know, if people saw he was the Devil, and he roared at ’em, they’d run away, and he couldn’t make ’em do what he pleased.”
Mr. Tulliver had listened to this exposition of Maggie’s Simone Zaza Drakter with petrifying wonder.
“Why, what Algeria Jerseys fuck google book is it the wench has got hold on?” he burst out at last.
“The ‘History of the Devil,’ by Daniel Defoe — not quite the right book for a little girl,” said Mr. Riley. “How came it among your books, Mr. Tulliver?”
Maggie looked hurt and discouraged, while her father said —
“Why, it’s one o’ the books I bought at Partridge’s sale. They was all bound alike — it’s a good binding, you see — and I thought they’d be all good books. There’s Jeremy Taylor’s ‘Holy Living and Dying’ among ’em. I read in it often of a Sunday” (Mr. Tulliver felt somehow a familiarity with that great writer, because his name was Jeremy); “and there’s a lot more of ’em — sermons mostly, I think — but they’ve all got the same covers, Mauro Icardi Drakter and I thought they were all o’ one sample, as you may say. But it seems one mustn’t judge by th’ outside. This is a puzzlin’ world.”
“Well,” said Mr. Riley, in an admonitory, patronizing tone as he patted Maggie on the head, “I advise you to put by the ‘History of the Devil,’ and read some prettier book. Have you no prettier books?”
“Oh, yes,” said Maggie, reviving a little in Eduardo Drakter the desire to Jose Fonte Drakter vindicate the variety of her reading. “I know the reading in Buffalo Sabres Lippikset this book isn’t pretty; but I like the pictures, and I make Eliaquim Mangala Drakter stories to the pictures out of my Renato Augusto Drakter own head, you Dedryck Boyata Drakter know. But I’ve got ‘AEsop’s Fables,’ and a book about Kangaroos and things, and the ‘Pilgrim’s Progress.’”
“Ah, a beautiful book,” said Mr. Riley; “you can’t read a Cote d'lvoire Jerseys fuck google better.”
“Well, but there’s a great Renato Augusto Drakter deal about the Devil in that,links:
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